Matrox RT.X100 Xtreme Guide de l'utilisateur

10884-301-0100User Guide SupplementApril 19, 2004Matrox RT.X100 Xtreme Pro

4Chapter 1, Using this SupplementYour notes

Chapter2Defining Your Adobe Premiere ProSettingsThis chapter explains how to define various settings for using your Matrox RT.X with Adobe Premiere Pr

6Chapter 2, Defining Your Adobe Premiere Pro SettingsUsing Adobe Premiere Pro with Matrox RT.X100 Xtreme ProAll Adobe Premiere procedures and dialog b

7Setting up your scratch disksSetting up your scratch disksWhen specifying the location of your scratch disks in Adobe Premiere Pro, make sure you fol

8Chapter 2, Defining Your Adobe Premiere Pro Settings3 Under Error Reporting, select Report dropped frames if you want to be warned each time frames a

9Defining your General settings7.5 IRE, whereas your DV camera’s analog output uses the Japanese setup level of 0 IRE.°To change the setup level of yo

10Chapter 2, Defining Your Adobe Premiere Pro SettingsSelecting your codec options for renderingOn the Codec (Rendering) page of the Matrox Advanced S

11Defining your General settings$ Chroma sampling for fast-motion video Select this option to help eliminate artifacts such as jagged edges and unwant

12Chapter 2, Defining Your Adobe Premiere Pro Settingsstreams, the second audio stream will be saved to a separate audio file named clipID_2ndStream.w

13Defining your General settingsSelecting your realtime effect settingsYou can specify default cropping settings for your realtime Matrox effects, sel

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14Chapter 2, Defining Your Adobe Premiere Pro Settings$ Enable Frame Hold By default, this option is selected. Matrox provides realtime support of Pre

15Defining your Video Rendering and Audio settingsDefining your Video Rendering and Audio settingsWhen you select an RT.X project preset, your Video R

16Chapter 2, Defining Your Adobe Premiere Pro Settings5 To select the audio and video sources from which you want to capture material, click the A/V I

17Defining your Capture settingsconnection into the Line-In jack (or corresponding jack) on your sound card, choose Line-In from the Analog Audio Sour

18Chapter 2, Defining Your Adobe Premiere Pro Settings11 Click OK to return to the Project Settings dialog box.12 To adjust the proc amp settings for

19Performing a Premiere Pro export to diskYou can specify additional Capture settings as explained in your Adobe Premiere Pro User Guide.Performing a

20Chapter 2, Defining Your Adobe Premiere Pro Settings$ D1/DV PAL (1.067) For PAL material that uses the standard TV screen format.$ D1/DV PAL Widescr

21Performing a Matrox realtime export to disk°To export your Timeline to disk in real time:1 Create a preview of your Timeline by pressing ENTER.2 Cho

22Chapter 2, Defining Your Adobe Premiere Pro Settingsexported video, you may need to export to an A/V drive that’s different from the one you use to

23Exporting your Timeline to DV tapePreferences dialog box as explained in your Matrox RT.X100 Xtreme Installation and User Guide.¦NoteIf you’re using

ContentsChapter 1Using this SupplementAbout this guide ...2Style conventio

24Chapter 2, Defining Your Adobe Premiere Pro Settings¦NoteYou can enter values in the Duration fields only. The In Point fields are automatically adj

25Exporting your Timeline to DV tapeDefining your export to tape optionsIn order to achieve a frame-accurate export to tape, you need to specify vario

26Chapter 2, Defining Your Adobe Premiere Pro Settingsdevice in the Preset box and click the Save button. Your settings will be saved in the Preset li

27Creating a production in 16:9 formatthat the effects you create on Matrox RT.X will be displayed with the correct proportions when viewed in 16:9 fo

28Chapter 2, Defining Your Adobe Premiere Pro SettingsYour notes

Chapter3Setting Up Realtime Effects with AdobePremiere ProThis chapter explains how to set up realtime effects using the Matrox realtime plug-in for A

30Chapter 3, Setting Up Realtime Effects with Adobe Premiere ProHow to apply a Matrox video transition in Adobe Premiere ProIn Adobe Premiere Pro, all

31How to organize your Matrox video effects in custom binsHow to organize your Matrox video effects in custom binsTo organize your Matrox video effect

32Chapter 3, Setting Up Realtime Effects with Adobe Premiere Proallow your RT.X100 Xtreme Pro to analyze these segments and drop frames systematically

33About Adobe Premiere Pro’s fixed effectsTo set up your effect, click the small triangle to the left of your effect in the Effect Controls window. To

iiContentsAbout Adobe Premiere Pro’s fixed effects... 32Applying a Motion effect...

34Chapter 3, Setting Up Realtime Effects with Adobe Premiere ProOverview of the color match effectYou can use the Matrox color match effect to match c

35Creating a color match effectCreating a color match effectWhen you create a color match effect, the Custom Color Match page opens by default:By sele

36Chapter 3, Setting Up Realtime Effects with Adobe Premiere ProOverview of the color mapsThe color maps let you adjust the balance of colors in your

37Creating a color match effect$ Click and drag your mouse in the Preview Window over an area that best represents the tonal range that you want to ad

38Chapter 3, Setting Up Realtime Effects with Adobe Premiere Pro$ Click and drag your mouse in the Reference Window over the area that you want to sel

39Creating a color match effectFine-tuning your color match effectYou can fine-tune your target clip using the following color correction controls:•Co

40Chapter 3, Setting Up Realtime Effects with Adobe Premiere Pro$ Gamma Use this to adjust the midtones in your clip without affecting black or white.

41Overview of the color pass effectOverview of the color pass effectYou can use the Matrox realtime plug-in to apply a color pass effect to convert yo

42Chapter 3, Setting Up Realtime Effects with Adobe Premiere ProCreating a color pass effectWhen you create a color pass effect, the Custom Color Pass

43Creating a color pass effectYou can use the following controls to further refine your color pass effect:•Color Pass Controls¥Tip To see the color se

iiiContentsChapter 4Using Matrox WYSIWYG ProgramsAbout the Adobe Photoshop plug-in...58How to use the plug-

44Chapter 3, Setting Up Realtime Effects with Adobe Premiere Propresent in your image as a vertical line in the histogram. A longer line indicates a h

45Creating a color replace effectCreating a color replace effectWhen you create a color replace effect, the Custom Color Replace page opens by default

46Chapter 3, Setting Up Realtime Effects with Adobe Premiere Pro°To set up your color replace effect:1 Click and drag in the Preview Window to select

47Creating a color replace effect$ Saturation Threshold Use this to proportionally increase or decrease the region outside of your saturation range. T

48Chapter 3, Setting Up Realtime Effects with Adobe Premiere ProWhen you adjust the Old Color Selection controls, you can see the visual representatio

49Overview of the time code effectOverview of the time code effectYou can use the Matrox realtime plug-in to apply a time code effect to add a time co

50Chapter 3, Setting Up Realtime Effects with Adobe Premiere ProCreating a time code effectWhen you create a time code effect, the Custom Time Code pa

51Creating a time code effect• Time Code$ Initial Allows you to change the start time of the time code. By default, the initial time code is set to 00

52Chapter 3, Setting Up Realtime Effects with Adobe Premiere ProWhat is XtremePreview?XtremePreview lets you edit and preview numerous video and graph

53RT.X100 Xtreme Pro realtime rules• You may notice a small video and audio glitch when your Timeline starts or completes playing certain segments whe

ivContentsYour notes

54Chapter 3, Setting Up Realtime Effects with Adobe Premiere ProGeneral ruleThe general rule to follow to avoid the red indicator bar when setting up

55RT.X100 Xtreme Pro realtime rulesMatrox Page Curls appears after Matrox Color Corrections. Therefore, the clip will remain realtime:If you want to u

56Chapter 3, Setting Up Realtime Effects with Adobe Premiere Pro• Use a graphics roll, crawl, animation, or non-full screen graphics clip (only full-s

Chapter4Using Matrox WYSIWYG ProgramsThis chapter explains how to use the Adobe Photshop plug-in and the WYSIWYG DirectShow Control Panel.

58Chapter 4, Using Matrox WYSIWYG ProgramsAbout the Adobe Photoshop plug-inThe Adobe Photoshop plug-in, together with your Matrox RT.X hardware, lets

59About the Adobe Photoshop plug-in¡ Important If you make changes to your image, you’ll have to repeat steps 3 to 5 (or re-apply a Photoshop action)

60Chapter 4, Using Matrox WYSIWYG ProgramsAbout the WYSIWYG DirectShow Control PanelThe WYSIWYG DirectShow Control Panel lets you display video played

61Configuring the WYSIWYG DirectShow Control PanelConfiguring the WYSIWYG DirectShow Control Panel1 To open the WYSIWYG DirectShow Control Panel, clic

62Chapter 4, Using Matrox WYSIWYG Programs4 By default, the Play associated audio (.wav) file option is selected. Some DirectShow programs, such as DV

AAdaptive degradationdefinition52Adobe Encore DVDdisplaying project on video monitor 60exporting sequence markers for use with 21Adobe Photoshop plug-

Chapter1Using this SupplementThis chapter outlines the contents of this manual, and describes the available RT.X documentation.

64IndexDV-1394 deviceas source in Adobe Premiere Pro 16settings in Adobe Premiere Pro 11DVD authoringusing sequence markers as chapter points with Enc

65Indexperforming a realtime export to disk 20realtime rules 53selecting realtime Premiere Pro transitions 13speed control method 31time code effectcr

66IndexYour notes

2Chapter 1, Using this SupplementAbout this guideThis document supplements information contained in the Matrox RT.X100 Xtreme Installation and User Gu

3Style conventions of this manualOther documentationIn addition to this User Guide Supplement, the following RT.X documents are available.Quick Start